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Barbie (2023)

N/A|Comedy,Adventure,Fantasy|July 19, 2023

7.4Rating: 7.4 / 10 from 3338 users

Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.

Director: Greta Gerwig
Creator: Noah Baumbach, Greta Gerwig
Actors: Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon

                                              

 Exploring the Enchanting World of Barbie: From Iconic Doll to Pop Culture Phenomenon

Introduction:

• Briefly introduce Barbie as one of the most recognizable and enduring icons in the world of toys and pop culture.
• Mention the purpose of the blog post: to delve into the history, influence, and significance of Barbie.

1. The Birth of an Icon: A Brief History of Barbie:

• Provide a short history of how Barbie was created by Ruth Handler for Mattel in 1959.
• Discuss how Barbie's design and concept evolved over the years to reflect changing fashion trends and societal norms.
• Highlight Barbie's impact on the toy industry and her role in shaping the concept of dolls for children.

2. Barbie in Pop Culture: A Symbol of Empowerment and Diversity:

• Explore how Barbie became not just a toy but also a pop culture icon, appearing in movies, TV shows, and music.
• Discuss how Barbie has evolved to become more inclusive and diverse, with dolls representing various ethnicities, body types, and professions.
• Highlight the positive impact of Barbie in promoting body positivity and encouraging girls to dream big.

3. Barbie Collecting: A Fascinating Hobby:

• Explore the world of Barbie collecting, from vintage dolls to limited edition releases.
• Discuss the reasons behind the popularity of collecting Barbie dolls, including their historical value and aesthetic appeal.
• Provide tips for new collectors, such as researching, proper storage, and understanding the value of rare dolls.

4. Controversies and Criticisms: Addressing Concerns:

• Acknowledge the controversies that Barbie has faced over the years, such as body image issues and gender stereotypes.
• Discuss Mattel's efforts to address these concerns, including the introduction of more diverse dolls and empowering campaigns.
• Mention how conversations around Barbie's impact on body image and gender roles have evolved with time.

5. Barbie's Enduring Legacy:

• Reflect on Barbie's lasting influence on generations of children and adults alike.
• Discuss how Barbie continues to inspire creativity, imagination, and self-expression in people around the world.
• Highlight some of the iconic collaborations, partnerships, and events that have contributed to Barbie's legacy.

Conclusion:

• Summarize the key points discussed in the blog post.
• Emphasize the significance of Barbie as a symbol of empowerment, diversity, and cultural impact.
• Encourage readers to share their own experiences with Barbie and engage in the ongoing dialogue about her role in society.

Final Thoughts: Writing a blog post about Barbie allows you to explore various facets of her history, influence, and impact. Remember to use engaging language, include relevant images, and provide credible sources for any factual information you include. With this outline as a guide, you can craft an informative and captivating blog post that will resonate with readers interested in Barbie and pop culture.

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This article is about the 2023 live-action film. For the animated Barbie films, see List of Barbie animated films.

Barbie
Theatrical release poster
Directed by	Greta Gerwig
Written by	Greta Gerwig Noah Baumbach
Based on	Barbie by Mattel
Produced by	David Heyman Margot Robbie Tom Ackerley Robbie Brenner
Starring	Margot Robbie Ryan Gosling America Ferrera Kate McKinnon Issa Rae Rhea Perlman Will Ferrell
Cinematography	Rodrigo Prieto
Edited by	Nick Houy
Music by	Mark Ronson Andrew Wyatt
Production companies	Heyday Films LuckyChap Entertainment NB/GG Pictures Mattel Films
Distributed by	Warner Bros. Pictures
Release dates	July 9, 2023 (Shrine Auditorium) July 21, 2023 (United States)
Running time	114 minutes[1]
Country	United States
Language	English
Budget	$128–145 million[2][3]
Box office	$1.340 billion[4][5]

Plot[edit]

Cast[edit]

Margot Robbie and Ryan Gosling portray Barbie and Ken.

• Different of Barbie played by:
• • Kate McKinnon as Weird Barbie^[11][12]
  • Issa Rae as President Barbie^[13][12]
  • Alexandra Shipp as Writer Barbie^[14][12]
  • Emma Mackey as Physicist Barbie^[15][12]
  • Hari Nef as Dr. Barbie^[12]
  • Sharon Rooney as Lawyer Barbie^[13]
  • Ana Cruz Kayne as Judge Barbie^[13][12]
  • Ritu Arya as Journalist Barbie^[13][12]
  • Dua Lipa as the Mermaid Barbies^[16][12]
  • Nicola Coughlan as Diplomat Barbie^[13][12]
  • Mette Narrative as Barbie Video Girl
  • Marisa Abela as Teen Talk Barbie^[17]
  • Lucy Boynton as Proust Barbie
• Ryan Gosling as Ken, often referred to as "Beach Ken"^[18]
• Different variations of Ken played by:
  • Simu Liu as Tourist Ken/"Rival Ken"^[19][20][12]
  • Kingsley Ben-Adir as Basketball Ken^[13]
  • Scott Evans as Stereotypical Ken^[13]
  • Ncuti Gatwa as Artist Ken^[19][13]
  • John Cena as Kenmaid, a merman Ken^[21][22]
  • Rob Brydon as Sugar Daddy Ken^[13]
  • Tom Stourton as Earring Magic Ken^[23]
• America Ferrera as Gloria, a Mattel employee who helps Barbie in the real world^[24]
• Michael Cera as Allan^[25]
• Ariana Greenblatt as Sasha, Gloria's daughter^[26][27]
  • Genvieve Toussaint as young Sasha
• Rhea Perlman as the spirit of Ruth Handler, the co-founder of Mattel^[3]
• Helen Mirren as the narrator^[28]
• Will Ferrell as the CEO of Mattel^[29]
• Connor Swindells as Aaron Dinkins, a Mattel employee
• Jamie Demetriou as the CFO of Mattel
• Emerald Fennell as Midge^[30]

• Hannah Khalique-Brown as "Growing Up" Skipper^[31]
  • Erica Ford as Babysitter Skipper^[32]
• Ann Roth as the woman on the bench^[33]
• Ryan Piers Williams as Gloria's husband^[34]
• Lauren Holt as School Mom^[35][36]

Production[edit]

Development[edit]

Development on a film based on the Barbie toy line began in September 2009, when it was announced that Mattel had signed a partnership to develop the project with Universal Pictures and with Laurence Mark as producer, but nothing came to fruition.^[37] In April 2014, Mattel teamed with Sony Pictures to produce the film, which would have Jenny Bicks writing the screenplay and Laurie MacDonald and Walter F. Parkes producing through the Parkes+MacDonald Image Nation banner they created. Filming at the time was anticipated to begin by the end of the year.^[38] In March 2015, Diablo Cody was brought onto the project to rewrite the screenplay, and Amy Pascal joined the producing team.^[39] Sony Pictures would again have rewrites done to the screenplay later that year, hiring Lindsey Beer, Bert V. Royal, and Hillary Winston to write separate drafts.^[40]

In December 2016, Amy Schumer entered negotiations to star in the title role with Winston's screenplay; Schumer helped rewrite the script with her sister, Kim Caramele.^[41] In March 2017, Schumer exited negotiations, blaming scheduling conflicts with the planned June 2017 filming start; in 2023 she revealed she left the project due to creative differences with the film's producers at the time.^[42][43] That July, Anne Hathaway was under consideration for the title role, with Sony Pictures hiring Olivia Milch to rewrite the screenplay and approaching Alethea Jones to direct as a means to interest Hathaway into signing on.^[44] Jones was attached to direct by March 2018.^[45]

In August 2018, Robbie Brenner had been hired as producer by Mattel CEO Ynon Kreiz with the rights reverting to Mattel, with Kreiz having the intention to repossess the rights following the expiration of Sony Pictures's option. Later, Brenner was hired to run Mattel Films.^[46][47] The expiration of Sony Pictures's option on the project in October 2018 and its transfer to Warner Bros. Pictures would see the departures of Hathaway, Jones, Macdonald, Parkes and Pascal. Margot Robbie would enter early talks for the role, with Patty Jenkins briefly considered for the director position.^[48] Kreiz was determined to cast Robbie in the titular role after meeting with her following his hiring as CEO as both he and Brenner felt that Robbie's appearance resembled that of a conventional Barbie doll and were impressed by her ideas. Initial meetings occurred at the Polo Lounge located in The Beverly Hills Hotel.^[49][47] Brenner eventually partnered with Robbie's production company, LuckyChap Entertainment, with Robbie's husband Tom Ackerley and Josey McNamara also being enlisted as producers.^[46][47] Robbie's casting was confirmed in July 2019.^[9]

In her capacity as a producer, Robbie pitched Barbie to Warner Bros. herself. During the green-light meeting, she compared the film to Steven Spielberg's Jurassic Park (1993) and also jokingly suggested that it would gross over $1 billion.^[50] Later on, she approached Greta Gerwig—whose previous films, particularly Little Women (2019), Robbie enjoyed—to be the screenwriter. Gerwig was in post-production for another film, and accepted the assignment on the condition that her partner, Noah Baumbach, also write the script.^[51][52] Gerwig would sign on to also direct the film in July 2021.^[53] Robbie said the film aimed at subverting expectations and giving audiences "the thing you didn't know you wanted".^[54]

Writing[edit]

Director Greta Gerwig co-wrote the screenplay with her partner, Noah Baumbach.

Gerwig and Baumbach were given full creative freedom in writing the film. They collaborated on the screenplay during the COVID-19 pandemic lockdowns of 2020–2021 and described the writing process as "open" and "free". Gerwig's film treatment consisted of an Abstract Poem on Barbie influenced by the Apostles' Creed.^[55] For the narrative arc, she was partially inspired by the non-fiction book Reviving Ophelia (1994) by Mary Pipher, which accounts the effects of societal pressures on American teenage girls. She also found inspiration in classic Technicolor musicals such as The Red Shoes (1948) and The Umbrellas of Cherbourg (1964), and said: "They have such a high level of what we came to call authentic artificiality. You have a painted sky in a soundstage. Which is an illusion, but it's also really there. The painted backdrop is really there. The tangibility of the artifice is something that we kept going back to."^[56] The script also contains candid criticism of Mattel, which created skepticism among Mattel officials when they received the first version. However, Kreiz decided to trust Gerwig. Brenner noted that "being safe in this world doesn't work" as she interpreted Barbie to be a "bold" and "trailblazer" figure. As a result, Will Ferrell's portrayal as the Mattel CEO was meant to be an allegory for corporate America. Kreiz praised Ferrell and said that while Mattel officials took their brands seriously, they did not take themselves seriously.^[47] Gerwig and Robbie had both felt the film was "most certainly a feminist film" but Mattel officials had rejected the description. Both Gerwig and Robbie informed the studio that they would also explore the controversies and problematic parts of Barbie, but also convinced the studio that they would respect the product.^[57]

Gerwig was also influenced by her childhood experiences with Barbie; her mother would discourage her from purchasing such dolls, but eventually allowed her to.^[58] Opting to acknowledge the controversial nature of the Barbie doll, Gerwig chose to create a film in which she would be both "doing the thing and subverting the thing", in the sense that she would be celebrating the feminism behind Barbie while also noting the controversial beauty standards associated with it. She was also fascinated by the idea that humans create dolls, which in turn imitate humans, feeling that "we're in constant conversation with inanimate objects" while also conveying an affirmative message to the audience to "just be yourself and know that that's enough". The film deliberately juxtaposed contradictory messaging, such as critiquing consumerism yet glamorizing plastic products, and in the ending of the film, in which Barbie desires to be more than just a plastic doll. Gerwig made the film as an "earnest attempt to make amends" with the intention of affirming the worth of women and conveying the impossibility of perfection, which some perceived to be standards associated with Barbie.^[59][60] Reflecting upon the maximalism of Barbie, Gerwig said the "ontology of Barbie" was similar to what she perceived as Shakespeare's maximalism, which she enjoyed in his works. She grounded the film in what she described as a "heightened theatricality that allows you to deal with big ideas in the midst of anarchic play".^[61]

Gerwig described the film as being anarchic, unhinged, and humanist.^[58][62] She felt the film originated from the "deep isolation of the pandemic", opining that the line in which Barbie says "Do you guys ever think about dying?" exemplifies the film's anarchic nature. She also found the idea of Barbie being "constrained in multitudes" as "all of these women are Barbie and Barbie is all of these women" to be "trippy" and felt as a result, Barbie did not need to have her own personal life, as she was attuned to her environment. She also described the story as mirroring a girl's journey from childhood to adolescence, though she did not deem it to be a coming of age film and felt that the film ultimately "ends up, really, about being human".^[58]

Primarily, she began her writing by interpreting Barbie as living in a utopia and eventually experiencing reality, where she would have to "confront all the things that were shielded from them in this place [Barbieland]". She also drew parallels to the story of Adam and Eve and taking inspiration from John Milton's Paradise Lost, particularly being inspired by the concept that there is "no poetry without pain".^[52] To underscore the tragic elements of Barbie and Ken facing the real world, she focused on elements of dissonance.^[51] As such, she chose to keep a scene featuring Robbie's Barbie telling an older woman that she is beautiful after being requested to remove it, as she felt that the scene epitomized "the heart of the movie". She also desired to provide a "counterargument" to Barbie by featuring a scene in which Barbie learns that some women do not like her, and felt it gave the film "real intellectual and emotional power".^[62] As such, a scene is featured in which Barbie is being stared at inappropriately on the Venice Beach, which Gerwig chose to feature as she felt it was a universal experience, being especially relevant for actors. She was inspired by an audition she did in which she wore overalls and felt that she did not perform well in.^[63] The ending of the film features Barbie saying the line "I'm here to see my gynecologist", with Gerwig describing it as a "mic drop kind of joke". She had chosen to include the line as she had wanted to instill confidence in younger girls, as she had been embarrassed about her body when she was younger.^[64]

Barbie also explores the negative consequences of hierarchical power structures, with Gerwig saying that she extrapolated that "Barbies rule and Kens are an underclass" and felt it was similar to the Planet of the Apes.^[62] Ken has low self-esteem and seeks approval from Barbie, which Gerwig identified as a good source for a story. Gosling compared Gerwig's vision to Milton Glaser's I Love New York logo as he felt Gerwig created the film's characters as a way of understanding the contemporary world.^[65] Ken has the only power ballad in the film, and Gerwig had identified it as the moment in which she felt the film transcended what a Barbie movie traditionally should have been.^[59]

Casting[edit]

During the casting process, Gerwig and Robbie looked for actresses with "Barbie energy" (which they described as "a certain ineffable combination of beauty and exuberance").^[56]

In October 2021, Ryan Gosling entered final negotiations to play Ken in the film.^[18] America Ferrera, Simu Liu and Kate McKinnon were cast in February 2022.^[66][67][68] Liu auditioned for the film after his agent raved about the script being one of the best they had ever read.^[69] In March 2022, Ariana Greenblatt, Alexandra Shipp, and Emma Mackey were revealed to be in the cast.^[70][71][72] Will Ferrell joined the cast in April, along with Issa Rae, Michael Cera, Hari Nef, Kingsley Ben-Adir, Rhea Perlman, Ncuti Gatwa, Emerald Fennell, Sharon Rooney, Scott Evans, Ana Cruz Kayne, Connor Swindells, Ritu Arya and Jamie Demetriou.^{[73][25][74][75]} In April 2023, a trailer revealed that John Cena had joined the cast. It was later reported that Cena had spontaneously been offered a part in the film after paying for Robbie's meal in London during production.^[76] Helen Mirren narrated the film's trailer and the film itself.^[77]

xSet design[edit]

Costumes[edit]

Filming[edit]

Music[edit]

Main articles: Barbie: The Album and Barbie (Score from the Original Motion Picture Soundtrack)

Barbie: The Album logo

Marketing[edit]

Director Greta Gerwig and Abby Phillip at an event for Barbie at the British Embassy in Washington, D.C.

A parade float was featured at the 2023 WeHo Pride Parade in Los Angeles to promote the film. Two of its LGBTQ+ cast members, Alexandra Shipp and Scott Evans, were present during the event.^[147]

An all-pink billboard used to promote the film.

Leading up to the release, pink billboards, blank apart from the film's release date, have appeared worldwide, and a real-world "Barbie Dreamhouse" in Malibu, California became available to rent through Airbnb.^[149]

xRelease[edit]

Theatrical[edit]

The Barbie pink carpet premiere in Sydney, Australia

xThe film was released on the same day as Oppenheimer, a biographical film about J. Robert Oppenheimer written and directed by Christopher Nolan based on the book American Prometheus, and distributed by Universal Pictures. Due to the tonal and genre contrast between the two films, many social media users created memes and ironic posts about how the two films appealed to different audiences,^[163] and how they should be viewed as a double feature.^[164] The trend was dubbed "Barbenheimer".^[165] In an interview with La Vanguardia, Oppenheimer star Cillian Murphy endorsed the phenomenon, saying, "My advice would be for people to go see both, on the same day. If they are good films, then that's cinema's gain."^[166]

In August 2023, it was announced that the film will be re-released in IMAX theaters on September 22, 2023, for one week only, along with a new post-credit scene.^[167]

Home media[edit]

Barbie is scheduled to be released on digital formats on September 5, 2023.^{[168][169][170]}

Censorship[edit]

Nine-dash line controversy[edit]

See also: Territorial disputes in the South China Sea and Nine-dash line

The controversy over the alleged appearance of the nine-dash line (a maritime border running through the South China Sea set and claimed by the Government of the People's Republic of China) in the film began when Vietnam's film censorship authority banned the film for allegedly displaying such lines. In contrast, the Philippine counterpart instead requested that the lines in question be blurred. Both countries have banned the films Abominable (2019) and Uncharted (2022) for featuring the actual nine-dash line.^[171][172] The nine-dash line is controversial due to maritime border disputes between China, Vietnam, Taiwan, Malaysia, Brunei, and the Philippines.^[173]

Vietnam[edit]

On July 3, 2023, Vietnamese newspaper Tuổi Trẻ quoted Vi Kiến Thành [vi], head of the Department of Cinema, as announcing that Barbie would be banned in Vietnam because it contained "the offending image of the nine-dash line."^[174][175] The Tiền Phong newspaper reported that the nine-dash line "appears multiple times in the film".^[176][177] The film was originally scheduled to be released in Vietnam on July 21.^[178]

The Philippines[edit]

xWorld map drawing and Warner Bros.' statement[edit]

Following the news of Vietnam's ban of the film, some media outlets pointed to a scene in the film's trailer featuring a drawing of a world map with a curved line of dashes alongside "Asia" which they said represented China's nine dash line claim to the South China Sea. Warner Bros. stated that it was "not intended to make any type of statement."

Religious interpretation and LGBTQ+ themes[edit]

In some Muslim-majority countries, there were attempts to ban the film on moral grounds or for allegedly showing LGBTQ+ themes, and some of them were successful.

Pakistan[edit]

Middle East[edit]

Algeria[edit]

Reception[edit]

Box [edit]

As of August 27, 2023, Barbie has grossed $594.8 million in the United States and Canada, and $745.5 in other territories, for a worldwide total of $1.34 billion.^[4][5]

United States and Canada[edit]

Other territories[edit]

Critical response[edit]

Axccolades[edit]

Barbie won Best Teaser at the 2023 Golden Trailer Awards.^[270] It won Most Anticipated Film at the 6th Hollywood Critics Association Midseason Film Awards.^[271]

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